(Continued from Part 1)
On the Beach - Nevil Shute (1957)
"Maybe we've been too silly to deserve a world like this."
This book was fairly depressing and a little hard to get through at times, mostly due to the slow build, but also due to the fatalistic overtones. Perhaps most depressingly, it deals with the subjects of acceptance of death and suicide/euthanasia. All that noted, On The Beach is still a classic of post-apocolyptic literature - unique in that it's set in Australia - and a legitimately realistic, bleak exploration at a potential reality of the aftermath of nuclear war and the end of the human race.
Related Reads:
A Canticle for Leibowitz (Miller)
Earth Abides (Stewart)
The Postman (Brin)
Good Masters! Sweet Ladies! - Amy Schlitz (2007)
"The miller steals the flour, and the baker steals the bread/We're hypocrites and liars - and we all get fed."
This Newbery Award winning book is a collection of 20+ monologues (some of them poetry) written with the intent of having students read and perform them. I found the collection clever and surprisingly moving at times. It includes several asides throughout about medieval life, and it seems like a good introduction to medieval history, society, and social structure for anyone.
Related Reads
The Midwife's Apprentice (Cushman)
The Whipping Boy (Fleischman)
The Canterbury Tales (Chaucer)
(see Bibliography)
Trickster's Choice - Tamora Pierce (2004)
"I don’t trust anyone who feels you should like them because they love themselves so much."
I've previously read two quartet-series by Tamora Pierce (Song of the Lioness and Protector of the Small) and enjoyed them, so I was interested in continuing the storyline with Trickster's Choice. However, I was somewhat disappointed with this book. The protagonist Aly is older than the heroines of previous novels (mid/late teens), and as a reader, I never really felt connected with her or felt like she was in any real danger throughout her adventures. I also found long portions of the book somewhat dragging and a little too neatly-fitting.
That said, I probably will read the sequel since this is a two-part rather than four-part. And there were portions of the book that I found interesting and even clever - for instance, the character Nawat and Aly's lessons from the flock of crows.
Related Reads:
Song of the Lioness Quartet (Pierce)
Riddley Walker - Russell Hoban (1980)
"Day time it wer then nor not raining but the rain wer in it and the dark is all ways there. The shape of the nite what beartht the day when Canterbury dyd. Hart of the Wud in the hart of the stoan. I cud feal that thing inside us how its afeart of being beartht. I cud feal how every thing is every thing."
The setting and tone of this novel is a strange mishmash of post-apocalyptic and English medieval society. It's written in a curious mix of old/future English from the point of view of the 12-year-old protagonist, who comes of age in the first chapter. The writing style and content makes Riddley Walker a difficult, crude, fascinating, and ultimately rewarding read.
The edition I checked out from the library was not an expanded edition and included no footnotes. I'd really recommend getting the expanded edition and/or using an online guide such as this one to refer to like I did.
Related Reads:
A Clockwork Orange (Burgess)
The Road (McCarthy)
Lord of the Flies (Golding)
The Canterbury Tales (Chaucer)
On the Edge of the Dark Sea of Darkness - Andrew Peterson (2008)
"Even if hope is just a low ember at night, in the morning you can still start a fire."
This book is the first of a fantasy-adventure series aimed at children. Even with that in mind, when reading I couldn't shake the feeling that it seems like it's trying a bit too hard with its witty descriptions and names such as, "That evil was a nameless evil, an evil whose name was Gnag the Nameless." At times the tone reminded me of a less-clever version of Terry Pratchett novels. I was also a little bothered by what seemed to be a prevalence of gross-out humor and descriptions.
Still, the overall story manages to be interesting enough, and I'm invested in how the characters and story will progress throughout the rest of the series. While the overall tone is humorous, there are still enough serious and even darker moments and themes to give the book substance. My feeling is that this book would shine best as a read-aloud to younger kids.
Related Reads:
A Series of Unfortunate Events (Snickett)
On the Beach - Nevil Shute (1957)
"Maybe we've been too silly to deserve a world like this."
This book was fairly depressing and a little hard to get through at times, mostly due to the slow build, but also due to the fatalistic overtones. Perhaps most depressingly, it deals with the subjects of acceptance of death and suicide/euthanasia. All that noted, On The Beach is still a classic of post-apocolyptic literature - unique in that it's set in Australia - and a legitimately realistic, bleak exploration at a potential reality of the aftermath of nuclear war and the end of the human race.
Related Reads:
A Canticle for Leibowitz (Miller)
Earth Abides (Stewart)
The Postman (Brin)
Good Masters! Sweet Ladies! - Amy Schlitz (2007)
"The miller steals the flour, and the baker steals the bread/We're hypocrites and liars - and we all get fed."
This Newbery Award winning book is a collection of 20+ monologues (some of them poetry) written with the intent of having students read and perform them. I found the collection clever and surprisingly moving at times. It includes several asides throughout about medieval life, and it seems like a good introduction to medieval history, society, and social structure for anyone.
Related Reads
The Midwife's Apprentice (Cushman)
The Whipping Boy (Fleischman)
The Canterbury Tales (Chaucer)
(see Bibliography)
Trickster's Choice - Tamora Pierce (2004)
"I don’t trust anyone who feels you should like them because they love themselves so much."
I've previously read two quartet-series by Tamora Pierce (Song of the Lioness and Protector of the Small) and enjoyed them, so I was interested in continuing the storyline with Trickster's Choice. However, I was somewhat disappointed with this book. The protagonist Aly is older than the heroines of previous novels (mid/late teens), and as a reader, I never really felt connected with her or felt like she was in any real danger throughout her adventures. I also found long portions of the book somewhat dragging and a little too neatly-fitting.
That said, I probably will read the sequel since this is a two-part rather than four-part. And there were portions of the book that I found interesting and even clever - for instance, the character Nawat and Aly's lessons from the flock of crows.
Related Reads:
Song of the Lioness Quartet (Pierce)
Riddley Walker - Russell Hoban (1980)
"Day time it wer then nor not raining but the rain wer in it and the dark is all ways there. The shape of the nite what beartht the day when Canterbury dyd. Hart of the Wud in the hart of the stoan. I cud feal that thing inside us how its afeart of being beartht. I cud feal how every thing is every thing."
The setting and tone of this novel is a strange mishmash of post-apocalyptic and English medieval society. It's written in a curious mix of old/future English from the point of view of the 12-year-old protagonist, who comes of age in the first chapter. The writing style and content makes Riddley Walker a difficult, crude, fascinating, and ultimately rewarding read.
The edition I checked out from the library was not an expanded edition and included no footnotes. I'd really recommend getting the expanded edition and/or using an online guide such as this one to refer to like I did.
Related Reads:
A Clockwork Orange (Burgess)
The Road (McCarthy)
Lord of the Flies (Golding)
The Canterbury Tales (Chaucer)
On the Edge of the Dark Sea of Darkness - Andrew Peterson (2008)
"Even if hope is just a low ember at night, in the morning you can still start a fire."
This book is the first of a fantasy-adventure series aimed at children. Even with that in mind, when reading I couldn't shake the feeling that it seems like it's trying a bit too hard with its witty descriptions and names such as, "That evil was a nameless evil, an evil whose name was Gnag the Nameless." At times the tone reminded me of a less-clever version of Terry Pratchett novels. I was also a little bothered by what seemed to be a prevalence of gross-out humor and descriptions.
Still, the overall story manages to be interesting enough, and I'm invested in how the characters and story will progress throughout the rest of the series. While the overall tone is humorous, there are still enough serious and even darker moments and themes to give the book substance. My feeling is that this book would shine best as a read-aloud to younger kids.
Related Reads:
A Series of Unfortunate Events (Snickett)